REVIEWS
My Public Life:
Recollections and Reflections: by Sir Mirza Ismail, (Published by
George; Allen & Unwin Ltd.,
The
task of writing a biography, particularly an autobiography, is a difficult and
delicate one which only the most gifted can accomplish with any measure of
success. Sir Mirza Ismail
may well derive an authors proud satisfaction over the
success that has attended his fine effort. It is indeed a happy idea that
prompted him, in response to the wish of numerous friends, not only in India
but scattered over three continents, to record some phases of his long and
eventful career in the form of a book, which, both for its charm and contents,
must rank high in the biographical (and autobiographical) literature of India.
There is however one regret which every reader would feel, namely that it is
not longer than it is. But Sir Mirza chose otherwise,
desiring that his readers should wish for more rather than less. And thus we
have what is a model of a short autobiography which affords not only
intellectual pleasure but something also of political education. It certainly
makes no small “contribution to the history of the sub-continent in the
momentous first half of the twentieth century”.
Sir
Mirza’s name is associated with several administrative
achievements in the States of Mysore and Jaipur. It is the fortune of few men to have a career so
prolonged, so active and so uniformly successful as
that given to this distinguished statesman. In the conduct of the
administration of these two States he enjoyed almost plenary power. Persian by
descent and Mysorean by birth, he had the unique
advantage of having been brought up and educated along with the Prince who was
later to be Ruler of the State and of winning alike his friendship and confidence
in an unusual degree.
With
the active support of the Maharaja always assured, he carried out those
brilliant reforms which contributed so much to the glory and prosperity of the
State. There is perhaps no other instance of such splendid collaboration or the
good of a State in the whole of
During the fifteen years of his Dewanship,
So rich an experience and such high gifts as Sir Mirza’s could not naturally remain neglected for long.
A pressing invitation came to him from the young Maharaja of Jaipur to accept the Prime-Ministership
of his State. At Jaipur, during the four years of his
stay, Sir Mirza almost did wonders. His active mind
and boundless zeal would not allow a day to be lost and he applied himself to
the task before him at once. Reconstruction, new parks, new buildings,
restorations and improvements of all kinds, besides the overhauling of the
entire administration, were carried on at an amazing speed, so much so, the
city of
There
can be no two opinions about the appropriateness of Sir Mirza’s
appointment to the Prime-Ministership of
“When
at the Headquarters, I set apart two mornings in the week for interviews with
all and su:ndry, as I had
done in
But
the great hopes of Sir Mirza were not destined to be
fulfilled, and after the withdrawal of the British control he found it
impossible to stay any longer in Hyderabad, on account of the vigorous and
“calculated campaign of vilification” against him by the Ittihad-ul-Mussulmeen
which had the backing and financial support of even some members of the
Cabinet. On returning to
It
must be mentioned here that Mr. Jinnah was vehemently opposed to the
appointment of Sir Mirza as Prime Minister of
Hyderabad, for the only possible reason that the latter, in spite of several
approaches, refused to join the Muslim League. Jinnah moved earth and heaven to
prevent his appointment. He first telegraphed to the Nizam,
“exhorting him not to appoint Sir Mirza and
threatening him with dire consequences if he disregarded his advice.” And
later, when the appointment was about to be made, he rushed to
Even
after his retirement Sir Mirza continued his
endeavors to find a solution to the Hyderabad problem. Finding the situation
becoming worse, he wrote to the Nizam urging him in
strong terms to come to a settlement with the Indian Government before it was
too late, and offered to mediate in his behalf, and even went to Delhi on that
mission. In this connection, in the words of Sri C. Rajagopalachari,
the then Governor-General, he “played a noble part and it will go down in
history.” But the Nizam, who was at the time “more or
less a prisoner in his palace and unable to act independently,” allowed the
supreme opportunity to be lost, thus making the police action a compelling
necessity to put down the growing Razakar menace. The
conclusion is irresistible that Sir Mirza went to
Hyderabad perhaps too late to be able to save the Nizam.
Had he gone there a few years earlier, he would have had a personal hand in the
shaping of some of the most momentous developments in contemporary
Indian history.
With
his return from Hyderabad, Sir Mirza may be said to
have virtually retired from public life, the short time which he spent in
Jakarta as United Nations Technical Adviser to Indonesia being a sort of
epilogue. Great as Sir Mirza is as statesman, he is
not less great as a man. A meticulous sense of honour
governs all his actions, and he has set to himself a high standard of public
duty and personal exactitude which be never even once compromised. In the ranks
of Indian public men there are few who are more
deservedly esteemed for culture, character and public service.
He is an Indian first and last. A great apostle of Hindu-Muslim unity, he has
throughout been strongly opposed to the Muslim League and resolutely kept himself
away from it, unmindful of Jinnah’s serious displeasure, and the consequences
of that displeasure. As an example of moral courage there is not, in the
political literature of recent times, anything comparable to Sir Mirza’s letter to Jinnah, the all-powerful leader of Muslim
India, written when the latter urged him to join the Muslim League:
“You
invite me to join the Muslim League. You will no doubt realise
my life-long association with a Hindu Maharaja and my long service in a Hindu
State, where I have received the most loyal co-operation from my Hindu fellow
citizens throughout my official career, prevent me from identifying myself with
a political organisation which is avowedly anti-Hindu in its aims and objects.”
In
the early thirties, Sir Mirza played an outstanding
part at the Round Table Conference which he attended as the representative of Mysore and the South Indian States of Travancore,
Cochin and Pudukottah. He was a proponent of
Federation and exerted his undoubted influence to persuade the more
conservative States too to agree to the scheme. He had even hopes that there
might one day be a vast Federation consisting of India, Burma, Nepal and even
Ceylon. “But this sub-continent,” says he, “was destined to meet with a sadly
different fate.”
“Life
without industry is a guilt, and industry without art is brutality,” runs a Ruskinian maxim. Sir Mirza has
both the passion for industry and an extraordinary taste for art. He is, as is
well known, a great builder with an abiding love for construction, renovation
and beautification. Fountains and flowers are his delight. The myriad-lighted
fountain at Bangalore which he constructed out of a
donation given by the Maharani of Bhajanj is said to
be one of the most wonderful in the East. Gardening is his recreation and he
allows himself to be completely absorbed in it. “I can contrive to make myself
happy within my house,” he naively replied to a correspondent who ventured to
refer to a current rumour about a high appointment
offered to him–which shows the great yet modest man he is.
The
book, which has both charm and balance, is of sustained interest. Written in a
racy and luminous style, it abounds in fine anecdotes, rich observations and
wise reflections. His estimates of men are equally interesting. These for
instance. His Late Highness the Maharaja of Mysore he
considers to be among the greatest in Indian history, Sir Tej
Bahadur Sapru, the finest
type of an Indian and a model for young India to copy, and the Rt. Hon. Srinivasa Sastri, the most polished of Indian speakers. Mr.
Jinnah, according to him, was in agreement with no one, not even with his own
Muslim delegation. He had his own views and obstinately stuck to them.
The
regret is keenly felt in some quarters, and widely shared by many in India,
that the services of so gifted a statesman and so great an administrator are
not harnessed to the service of the country. Some have been even puzzled at
this absurdity. The clue to this is to be found partly in Sir Mirza’s own reluctance to hold any office, having once for
all retired from active public life, and partly in a very revealing passage in
the book. “In an article I contributed to The Times in May, 1949,” says
Sir Mirza, “I had criticised
Sardar Patel for his policy towards the States, which
I characterised as ‘ruthless’. He seems to have
resented this very much. Democratic autocrats are hard to please. I do
not suppose the other members of the Cabinet relished my remarks, either. I do
not remember exactly what I said in certain letters to my friends, but I must
have given expression to my views in a manner too frank to please them. I have
in my life practised very few economies of truth in
the expression of my opinion, and this habit has got me into trouble sometimes,
both with the British Government of India and the present Government in Delhi.”
But
if there is any one person who least regrets this attitude of apathy on the
part of the Government of India, it is Sir Mirza
himself. He neither entertains any ill-will nor withholds his admiration where
it is due, and the book contains no finer tribute than that which Sir Mirza so whole-heartedly pays to Sri Jawaharlal Nehru, who
according to him, is “by every test one of the greatest men of his country. The
directing Head of by far the largest numerical unit in the ‘free world’ he has rached heights of responsible statesmanship and world
influence without parallel in modern history...He is the architect of the
influential position his Motherland occupies in world affairs, and has used it
to promote and ensure peace.”
The Vidushaka: Theory and Practice: By
J. T. Parikh (Sarvajanik
Education Society, Surat. Pages 50; Price Re. I)
If
Drama is but a “representation of the play of human feelings and emotions,” the
Vidushaka, the boon companion of the hero in love,
stands for all that is comic and farcical in human nature, and is the main
source of comic relief in Samskrit dramas with Sringara for the dominant sentiment. It was even believed
by some that this feature of the Samskrit Drama
influenced European dramatists in their representation of fools and jesters.
Says Pischel, “the Vidushaka
is the original of the buffoon who appears in the plays of Medieval Europe.”
Sri
Parikh in this paper describes almost all the aspects
of the Vidushaka’s character in theory and practice,
after making a critical study of all the available Samskrit
dramas and books on dramaturgy, such as Bharata’s ‘Natyasastra’ and Saradatanaya’s ‘Bhavaprakasa’.
According
to the author the Vidushaka, in practice, is a
degraded young Brahmana and his monkey-like
appearance and crowfooted head (Kakapada sirsha) are not
germane to him but only the results of make-up and masks. The crooked staff he
carries with him is a branch of a tree. He employs obscene language and is
usually confronted by a maid in repartee. A comic character to start with, the Vidushaka developed into a full-fledged hero of the
farcical episode in the later popular stage drama.
The
author agrees generally with Dr. Keith, to whose remarks in his “Samskrit Drama” about the Vidhshaka,
this book forms an elucidatve commentary. He
profusely quotes from all Samskrit texts to
illustrate his points and in the Appendix are given theoretical texts on the Vidushaka.
Here
is this essay, for the first time, all the available material pertaining to the
Vidushaka is presented in an interesting and critical
manner, with some fresh problems raised for future study.
The Saugar University Journal 1953-54;
Vol. I, No. 3. Part I: Arts Section.
The
Saugar University is one of the youngest of the
Indian Universities. It is no doubt one of the chief functions of a University
to promote, organise and carry on independent
investigation. But a University should be a centre of
learning in which different branches of learning are pursued by specialists in
them with equal zest, and a University journal should reflect the intellectual
atmosphere in which all the branches of knowledge in it are adequately
represented.
Moreover,
in the journal of a residential University with well-organised
Post-Graduate and Research Departments in various subjects, one naturally
expects evidence of association of the students of the advanced classes with
their professors in their original work, and of an attempt at independent investigation
on their part, though perhaps under the guidance and with the inspiration of
their professors.
It
is remarkable that the 100 pages of this volume should be cornered by half a
dozen articles, all by the members of the staff of the University, and as many
as four of them of the English Department and devoted mostly to literary
criticism in English, and only one or two to historical studies and none to
philosophy or any social science.
But
this one defect apart, the selection of the subjects, the scholarship and
critical acumen brought to bear upon them, and the spirit of genuine
appreciation and sympathetic interpretation and independent investigation
revealed in the criticism of the Odes of Keats and Meredith and the Analysis of
Aesthetic Experience deserve unqualified commendation and lift the journal far
above the level of University and College magazines.
M. S. K.
Andhra Puranamu: By Madhunapantula
Satyanarayana Sastry.
(Publisher: M. Suraya Sastri, Pallipalem
(via) Yanam, East Godavari Dt.,
P. 215, Price Rs. 3)
This
is a novel type of literary composition, presenting the history of the Andhras in a poetic form. The title constitutes a claim,
worthy of the consideration of modern historians, that our Puranas
of old were designed to serve, and as a matter of fact actually served, the
national purpose of presenting the significant events in the history of the
race in a poetic and popular form. The present volume, as it has taken shape,
consists practically of a series of poems, each dealing with a significant
event or crisis in the history of the Andhras, taking
the word ‘history’ in a wide sense to include authoritative tradition as well
as authentic history.
Or
the poetic merits and literary excellence of the composition no less a judge
than the fastidious poet, Sri Viswanatha Satyanarayana, expresses enthusiastic appreciation in his
Foreword. Of the faithfulness of the presentation to the facts of history as
ascertained and accepted by modern historians, the approving review in the Introduction
by the renowned research scholar in South Indian History, Sri Mallampalli Somasekhara Sarma, constitutes an equally authoritative encomium. The
author’s attempt to popularise the history of the Andhras and impress on the general reading public the
lessons and significance of the past, seems quite well-timed at this juncture
of the inauguration of a separate state for the Andhras
in the Indian Union in which they hope to find scope for full and rapid
realisation of their potentialities and destiny. The value of the volume to the
lay public, especially those unacquainted with the English language and denied
regular instruction in History in the schools and colleges, is unquestionable.
Even to the educated, its value is bound to be considerable, as an authoritative
and continuous history of the Andhras through the
ages is yet to be constructed. The present volume brings the history down to
the Kakatiya period only. Readers will natural look
forward with eagerness to the companion volume dealing with the subsequent
history of the Andhras up-to-date.
M. SIVAKAMAYYA