MY FRIEND, SAMPATHGIRI
By JUSTICE NITTOOR SRINIVASA RAU
[This
‘tribute of affection’ was paid while unveiling a portrait of Sri K.
Sampathgiri Rao on 12th January 1958 at the
-Editor,
Triveni.]
In
the case of a personality like Sri Sampathgiri Rao I need feel no embarrassment
to say a few words about him, since intimate association could only give one a more
detailed picture of the man and in no manner alter one’s idea of his essential
characteristics which are now really in the nature of public property.
You
know that he has been associated with this institution’ I mean the National
Education Society, for almost four decades. Soon after he qualified
himself as a Literature Honours Graduate of the
The
college closed for the summer vacation. But before it reopened I found him one
day merrily riding on a bicycle apparelled in the
manner that has become familiar to all of us1 and with a look on his
face which betokened that the long-awaited dawn had broken. He had joined the
re-constituted
It
is a matter of the greatest pride for this institution that all along it has
been broad-based upon the generosity of the many and does not owe its existence
or functioning to the munificence of a few. Sri Sampathgiri Rao became such a
natural and indeed an inevitable part of the school that
he was identified with the institution and the institution with him. That is
indeed, what one of his old pupils and colleagues, who is
now in
You know that even the teaching personnel of the
school had a democratic basis and that one or the other of the teachers would
become the Headmaster by the consent of his Colleagues. Though Sri Sampathgiri
Rao was the Headmaster of the school for
the larger part of his tenure, there were substantial periods when he was only
a teacher. But every Position he has held, he has held as by natural right. You
know that from being the ‘Prince of Headmasters’, to use Sri V. S.
Srinivasa Sastri’s apposite phrase, he became the
first Principal of the Second Grade College when the Society started one. It
looked to everyone as if that was his appointed place. So did it appear when be
ultimately evolved into Principal of a
His
work in the institution, however, hardly exhausted his energies or resources.
He was associated with many other activities and amongst them I may mention the
work he did for the Amateur Dramatic Association and in helping his friend Sri
T. T. Sharman to run his weeklies, particularly the
‘Mysore Chronicle’. This has not been his sole essay into journalism. He finds
himself equally at home in the humdrum business of writing for a daily or a
weekly, in the more staid avocation of editing a School magazine, and in the
exacting task of steering a patrician periodical like the Triveni. Nor can one
forget that, in collaboration with a life-long friend of his 2 he
edited, under the auspices of the Amateur Dramatic Association, the journal
‘The Theatre’ during its brief but colourful career.
Talking of Triveni, I may mention incidentally that when its
distinguished Editor, who had made the cause of culture through the medium of
that magazine his life mission, was kept under preventive detention, Sri Sampathgiri
Rao took it upon himself to run the magazine from Bangalore, secured the
co-operation of friends and did the job so well, that even after the Editor’s
release, Bangalore continued to be the home of Triveni until other
exigencies dictated its transfer to another venue.
Sri
Sampathgiri Rao was in the thick of the movement for the renaissance of
Kannada. He has been intimately associated with the Kannada Sahitya Parishat and he has wandered all over the land on its
mission and similar missions. You all know that he has translated into Kannada
most of Rajaji’s writings. This incidentally brings
to my mind that he is a great linguist. His so-called second language in his
early educational career was Telugu. He lived in the Tamil land and became
proficient in Tamil. He specialised in English. He
was one of the earliest workers in the Hindi field and has picked up more than
a working knowledge of that language. It is refreshing to remember in today’s
context, when there has been an unfortunate recrudescence of linguistic
controversy, that Sri Sampathgiri Rao stands as the personification of
linguistic harmony and establishes the futility of such controversy.
Though
the purely political aspect of our National Movement did not leave him totally
untouched and many of those who actually participated in the movement claimed
his tutelage, his work has mostly been in the constructive field. He has been
associated with the Khadi movement right from the
start and is himself an excellent spinner. It is his pride that a good part of
his clothing is made of yarn spun by himself. He has been a living exponent of
all that Gandhiji stood for and it is but fitting that he should be the
President of the
We
have all learnt with pleasure, though mixed with regret, that
he is parting from us, that he has accepted the Principalship
of an educational institution in
His
long and deep educational experience has naturally been availed of by our
University and educational authorities and it is but natural that for long he
was associated with the management of the Gurukula at
Kengeri. He represented the Teachers’ Constituency in
the Legislative Council and was its temporary Chairman. I do not, however, want
to make this a catalogue of all his activities. But I cannot fail to refer to
his association with the Gokhale Institute of Public
Affairs as a member of its Governing Body right from the start. I am too close
to that institution to say more about it. I shall content myself with saying
that it looked as if he built his abode at the threshold of the site given to
the Institute so as to be its guardian angel. We shall, indeed, sadly miss him
there.
I
shall now turn to what I may call his human or non-institutional side. He is
richly endowed by nature with the gift of an alert mind, a warm heart and deep
interest in all matters of culture. He has read widely and deeply and he is one
of our most accomplished speakers. He is a great connoisseur of music, art (not
excluding the culinary art) and the drama and I know that he has himself
appeared on the stage. I particularly remember how at a Conference of the Pandits Parishat at Srinivasapur it was decided to get up an impromptu drama
under the leadership of Sri Kasturi and they not only
improvised the drama itself but Sri Sampathgiri Rao played one of its leading
parts.
Now,
a personality like this has necessarily to pay the penalty by giving the
impression that he has the defects of these very qualities. Many think that his
general attitude is one of undiscriminating benevolence, that he is soft, that
he is not sufficiently assertive, that he yields far too much when he ought not
to yield at all, and that he allows himself to be dragged
hither and thither, while his stature is such that he can stand up to any one
that he has to deal with. But that would be a very superficial assessment.
Obviously he makes a distinction between what is fundamental and vital on the
one hand and what constitutes the subsidiary things in Life in which it is wise
and proper to accommodate other points of view and others’ desires. He does not
needlessly enter into controversy. But in regard to any matter which represents
the core of his beliefs and values you will find that he will deal with it
firmly and effectively. His mind is a rich store-house of knowledge and
experience. The demands made on him by educational and students’ organisations, by cultural organisations
like All India Radio and sundry other organisations,
are endless. His generous heart does not permit him easily to refuse and you
find him scheduled to talk not only in
Let
me say, this institution is much more than the brick and mortar in which it is
housed. It represents an approach, a spirit and a tradition which Sri
Sampathgiri Rao’s own career has gone to build up.
His personality is a permanent part of its very constitution. It is therefore
most appropriate that his portrait should adorn this hall. I consider it a
great privilege that I should be asked to unveil his portrait and I do so with
the utmost pleasure. And may I express my gratitude to the management for
affording me this opportunity of paying this tribute of affection and regard,
not only on my own behalf but on behalf of you all?
1
Dhoti, long Kurta, vest and Gandhi Cap.
2 Sri
V. Bhaskaran