MASTER MIND AND MASTER PUPIL
Coomaraswamy
and Gopalakrishnayya
DURAI
RAJA SINGAM
Dr
Ananda Coomaraswamy
is the Bharata of our Indian artistic renaissance and
whose never-ending inspiration and idealism have revived the dead bones of
the classic theories of Indian art.
–Dr P. K. GODE
Ananda Coomaraswamy, a master mind,
found in Duggirala Gopalakrishnayya, a master pupil.
Duggirala’s association with his master made him a
new Indian, and he became a “dvija”–twice born–under
the saintly initiation of Ananda Coomaraswamy.
Duggirala always cherished this initiation and
following his teacher’s footsteps as a benign blessing.
According
to Duggirala, Coomaraswamy
always presided over the Goshtis–a study circle of
the elite – as visualized by the master pupil. He was made a true Indian under
the care and protection of Ananda Coomaraswamy.
The pupil was charged with the new spirit needed for the country.
Andhra
Ratna Duggirala
Gopalakrishnayya1 lost his mother on the third day after his birth,
and his father in the third year of his life. He was brought up by foster
parents, knowing great difficulties of life. He left for
Duggirala’s views on Nationalism
were original and were the outcome of the great wisdom imparted to him by his
Guru. Ananda Coomaraswamy
could take pride in rescuing one Indian–Duggiorala–from
being proselytized by the running effects of Western civilization.
Duggirala could look into himself, could probe into
the traditions of his motherland, and incorporate into himself the good
in everything of modern times, including the ethos of the Occident.
Dugirala’s life was always
poisoned by privation. He did not survive to see his plans and schemes put into
action, which, in modern times seemed to be far-off dream. He was energetic and
active everywhere, and was not inevitably or irretrievably attached to any one
environment. His stature always seemed to grow as the colossal Trivikrama. His innovative ideas, pure and high, bear the
silver lining of the great thoughts of Ananda Coomaraswamy. During the days of Gandhiji’s
Non-co-operation Movement in
In
one of his letters, 2 Duggirala
Gopalakrishnayya mentions that he went to Ananda Coomaraswamy in June 1915 and stayed with him for six
months. It was during this period, I feel strongly, that he must have
accomplished the collaboration with Ananda Coomaraswamy in writing The Mirror of Gesture.
Gopalakrishnayya was a good musician and he knew the art of
dancing. The main contents of the book are the handiwork of Ananda
Coomaraswamy, with Gopalakrishnayya
contributing his suggestions in making the book what it is. This is my
conclusion, but I do not have proof as to whether I am right or wrong.
In
this connection one may note that Duggirala must have
witnessed in
Thus Gopalakrishnayya stayed in
His
stay in
This
drawing together of the master and the pupil is the effect of Caksu Raga, attraction by sight. The venerable master could
spot out and gain the worthy pupil into his sphere of elitehood.
Gopalakrishnayya
stayed with Ananda Coomaraswamy
for a little over four months. And this is how he himself described the value
of this stay.
“I
sought to place myself under Dr Ananda Coomaraswamy in whom the idealism of the East and the
intense practicalism
of the West are harmoniously blended...I came here and am staying in his house.
The house is three miles from
All
day, I am working in his library or in my room, and in the evening, we all sit
together, and have some music or discussion. It is all so beautiful. I am
supposed to give them 30 sh. a
week...Dr Coomaraswamy works so incessantly so regularly,
and is making me follow his ways. Though I must confess, I am feeling this
rather hard, but yet I feel sure, I shall get better shortly...It is
all so quiet around. I am enjoying this life most, though when I come to do
Work, I am feeling a bit hard.”
What
he missed at the university he gained multi-fold under the guidance of Ananda Coomaraswamy, whose
library was the inexahustible
granary of wisdom of all times. As previously noted, Gopalakrishnayya took his
A. M. degree to please his aged grandmother, but here under the elite umbrage
of Ananda Coomaraswamy, he
built his own stature, culturally and spiritually, to become “his own”.
At
the end of his stay at Britford, he wrote:
The
four months and odd I stayed with Dr Coomaraswamy is,
in a sense, the best part of my life as yet lived. I think,
the stay has profoundly altered my view and knowledge of life. Both physically
and mentally I am now entirely a new man...Blessed be the happy moment which
inspired me to live with him, which has brought about this great change in me.”
Ananda Coomaraswamy
undoubtedly gave an effective turn to the genius of young Gopalakrishnayya, and
supplied him with a good deal of knowledge on Indian art, literature and
philosophy; and soon Gopala became his co-worker and
assistant. The teacher and pupil gradually worked together at reviews on Rajput paintings, Ajanta
Frescoes, “Abhinaya Darpana”
and so forth. And in his letter dated 29-10-1915, the Doctor wrote to Gopala: “I very much hope we shall have the opportunity to
work together sooner or later for your assistance would be a great advantage to
me.”
In
all the letters to his friends in
Gopalakrishnayya himself
faithfully kept up his discipleship even after his return to
Ramnagar,
Chirala-Perala,
January, 1925
My esteemed Guruji,
Namaste!
I herewith send a sign of life (a reference to copies of Sadhana enclosed). It is ages since I heard
of you or you of me. This long interregnum makes now a heart-rending, now a
heart-thrilling delightful story.
Vicissitudes almost transcendental and abyssmal as well tried their luck with my soul...All the
time, would you care to believe it! I not only never
forgot you, but you Tere ever gracing the front bench
in the Goshti of my soul. During the period we were ever
in communication–through silence of course, Mouna-Vyakhya-Prakatit-para-Brahma-tatvam.
The silence bears the ever-green commentary on Brahman. I
ever dig from the response of
silence enough light to illumine my path...
I wonder how you all are. My pranams
to Sreemati Ratan Devi. How and where is Narada and Rohini? What are they
doing? Hope and pray you are all flourishing.
Sometime back I looked up a magazine from
To put my story briefly, ever since
I returned from England (it is nine years now) excepting for a
brief period of a year during which I was in Government service as
a Professor in a college, I have been in national service, in some form or other, enjoying all its gifts of poverty and penury. I had also my go to that flat globe the jail for a year. I have
constructed a tiny little village
caned Ramnagar near the famous town Chirala (whose exodus and exile of a long twelve – month, by the way, constitute one of the most exciting and important episodes in non-co-operation campaign). Leaving the Lord, I am yet the only inhabitant of the village. I live there with my wife and child. By the way, again, I lost two children and I have now a
boy just 14 months old. This is all my little family, and some day I hope together in a few more wise souls into my Goshti whose Peetam I propose to establish there some day. Sreeman Andhra Vidya Peeta Goshti (something like the
Aristotelian Society) has been my ambition. I started this some five years back but as yet there are very
few members, five or six, as
they must be from the Andhras (Telugus) alone and a weekly
journal of ‘National Idealism’, a phrase peculiarly your own, which I intended to start so long ago, could only
make its appearance very recently, a few weeks back, owing to the storms and cyclones of non-co-operation,
unnerving us from doing, anything. I herewith
send you the three issues of it which so far have appeared. You will notice in them some politics which could not be helped until sometime to come, owing to many causes which I do not propose to worry
you with. I beg an asirvadam from
you and a periodic favour.
Can I ever hope to see you in this side of the planet? Earnestly looking forward for a line from you.
Yours most
affectionately,
D. Gopalakrishnaya
It is said that Gopalakrishnayya’s
first contact with Gandhiji was through Coomaraswamy’s
introduction of him as “the coming Man of India.” And no wonder that the former
became his chela when Gandhiji started
his Non-Co-operation Movement in 1921.
In his introduction to the second edition of The
Mirror of Gesture being the “Abhiaaya Darpana” of Nandikeswara
(Translated into English by Ananda K. Coomaraswamy and Duggirala Gopalakrishnayya, with introduction and illustrations), Coomaraswamy has this to say of his collaborator:
My collaborator, Mr. Duggirala
Gopalakrishnayya, is no longer living. I do not know the exact date or
circumstances of his death, but cannot refrain from paying a brief tribute of
very high respect to his strength and purity of character, and intellectual
attainments. He was already what can now-a-days be rarely said of young Indian
students, an educated Indian before he came to Europe, and was therefore in a
position rather to gain than lose by the European experience which has too
often a culturally destructive effect on the already Anglicised
victim. He took an A. M. degree at the
Gopalakrishnayya was
a very gifted speaker in Telugu
as well as in English. He was
accustomed to make his point by
means of pertinent and witty Pauranic analogies
easily caught by his audiences,
and even by means of an application of
Indian aesthetic theories to
social and economic problems. Ananda Coomaraswamy quotes the
classic speech of the Andhra patriot
who was in the dock at a trial for
sedition. In the course of one
of the trials he said:
Wealth consists
of utilities; and utilities are “appropriated”. Appropriation is consumption. The commodity, material
or immaterial, must cease to exist; that is to say that when we impart value to things we decree their death...a change
of name and form. When mankind finds themselves in
the economic mood that we
are in now, it is the destruction of all things that is ordained. It is Laya; the Layakarta is Rudra. And the
leaders of mankind are now all Rudras (i.e., “destroyers”)
not of good but of evil. Such is the case with De Valera, Lenin, Gandhi and Zaghul Pasha.
At another time he said:
I recognise your law in so far as in tune with our
national Swadharma
(i.e., innate character
and calling). If you think I
have offended your law, it is not
to defy it in a spirit of scorn or contempt, but to
purge itself of its erratic form and evil import, and attune it to that of our own...India exists and shall exist as a racial unit
in this universe...Our moral
ideal does not consist of our own emancipation...political emancipation
alone...but directs itself towards
the achievement of the emancipation
of all existence from its phenomenal
bondage. It is not the common political suffering that is to weld
together the Hindu and the Muslim,....but the mutual respect, regard and love
for each other’s Dharma and the
necessity of its individuated preservation that can and
shall achieve it. Swaraj (i.e., autonomy),
therefore, means the preservation of Hindu Dharma, Muslim Dharma, Christian
Dharma, Parsi Dharma, Sikh Dharma, in short the Swadharma of
all, and a co-ordinated federation
of all, which are now
being threatened with destruction
by a godless philosophy, industrial anarchy,
and spiritual famine that beset the world at the present moment. We shall achieve it by Nishkama Karma,
action without a longing for the fruit; and then tell me, Sir, where do hatred and contempt come in the performance of
such an action?
These matters may seem to be irrelevant to the present
work; but in the first place, I feel it no less than
my duty to indicate in some way Gopalakrishnayya’s mental stature: and in the second
place, it must be remembered that the modern division of life into
many water-tight independent compartments is a mere affection and aberration of
truth. The traditional arts of people are not an excrescenee
upon their life, but an integral part of it. As Gopalakrishnayya
himself expresses it, “life is a complex phenomenon in which all the apparently
autonomous aspects–social, political, economical, moral and aesthetic are
interlaced and intertwined together in such a manner that action in one aspect
will have momentous incidence in all the others.”
Ananda Coomaraswamy’s
picture of Duggirala was that of a patriot and a
martyr in the making. Duggirala built his own psyche
into the great stature of MAN and he lived to be that, trusting himself to the
Divinity realisable in himself.
Between Ananda Coomaraswamy and Duggirala, there
existed a friendship charged with mutual respect and perfect understanding. Coomaraswamy catered to the mental hunger of the aspiring Duggirala and the latter nourished himself into a practical
philosopher, who thought, contemplated, and put into action all the noble ideas
inculcated into him. Sublime, reoriented traditions and patriotic ideals
pervaded his being and all his efforts in
Sacrifice was always his first step, action was the second,
oratorical speech-making was the third, subordinating the self for noble causes
was the fourth, and his final step was complete identity with the course and the
cause. He found himself a leader of his companions. He ever had a clear vision of
his ideals and modus operandi. He lived as a hero and died as a martyr. He shines
in the memories of posterity as the Andhra Jewel (Andhra Ratna).
1
The life story of this patriot of
2 Goshti Library published a
book entitled Andhra Ratna D.
Gopalakrishnayya Letters (
3 Kuchipudi,
a Village in Krishna District in
4 Duggirala Gopalakrishnayya
translated a lecture delivered by Ananda Coomaraswamy in
5 See
G. V. Krishna Rao, The Chirala-Perala
Tragedy; an Episode of Voluntary Exile.