Biblical Vibrations in Shakespeare
SISTER ADELPHINE
“I too will take from the crest of the Cedar,
From the topmost branches tear off a tender shoot,
And plant it on a high mountain;
It shall put forth branches and bear fruit,
and become a majestic Cedar”
(Ezekiel, Ch. 17, V. 22, 23)
It is obvious, any attempt to analyse
the cedarlike personality of Shakespeare in one
instance is bound to be a failure. The fact that the cedar has put forth
innumerable branches and these have borne incalculable fruit and given shade to
myriads of birds for centuries is beyond reproach.
Therefore I have taken on myself an effort of analysing a tiny branch of that great cedar, with the
ultimate ambition of satisfying the humanity in general and amusing the man of
literary sensibility in particular. A moral obligation indeed!
A man who seeks cure can hardly be called wise,
when there is a man who can prevent it, that needs cure. When the vision takes
greater astronomical proportions it turns prophetic. A man understands the
value and the validity of the prophetic outbursts in proportion to his own
wisdom. A morally stronger man is strong enough to be enlightened as to
perceive the magnificence of the Supreme Being in segment, while the weaker man
is satisfied with simple faith. Shakespeare was a man who had enough wisdom to
perceive the Biblical grandeur in its fulness, if not
in its entirety; with all the literary skill he could muster, he dedicated
himself to play it down to earth.
Shakespeare was a man of abundant intellectual
energy which another poet might describe as the “dynamic counterpart of the
teleological activity of the Universe.” Shakespeare required this energy to do
what he did. On the other hand what we need, to stand up to him, to perceive
his efforts, to utilise the fruits of his genius, is
a literary sensibility; a sensibility possessed by personalities like Keats,
Wordsworth, Milton; a sensibility that would enable us to feel the vibrations
that make his words characteristically magnetic; after all, poetry is the
result of a person’s vibrations. What we need is a deep concentration, that
almost always accompanied by moral vigour, to
perceive the fruits of wisdom hidden behind the leaves. It is up to the man to
“Look the morn, in russet mantle clad,
Walks o’er the dew of yon high eastward hills”,
and thus have aptitude enough to wake up to the beauty Shakespeare knew
that the world even in his time had grown “ picked”, that it would require him
to speak by “card” and not by “equivocation” which otherwise would have undone
him.
Hence, this analysis of the vibrations of moral
tone!
1. Shakespeare refers to the shortness of man’s
life in Act V, Sc. 5 of Macbeth:
“Out, out brief candle!
Life’s but a walking shadow, a poor player: that struts and frets his hour upon
the stage, and there is heard no more.”
(Macbeth)
A similarity could be
drawn to the above from the following Biblical passage:
Man’s days are like those
of grass,
Like a flower of the field
he blooms;
The wind sweeps over him
and he is gone
And his place knows him no
more.
(Psalm 103. V. 15, 16.)
2. Shakespeare shows the transitoriness and
futility of the vanities of this world which men clamour
for; in Henry VIII Act III, Sc. 2:
“This is the state of man:
today he puts forth
The tender leaves of
hopes, tomorrow blossoms
And bears his honours thick upon him;
The third comes a frost, a killing frost.
And when he thinks, good
easy man, full surely
His greatness is a
ripening, nips his root
And then he falls, as I
do.”
(Carginal Wolsey)
Wolsey’s
words can be matched with an apt pastage from the Bible:
“Man cannot abide in his
pomp
He is like the beasts that
perish
This is the fate of those
who have
foolish
confidence.
the
end of those who are pleased with their portion
Like the sheep, they are
appointed for Sheol.”
(Psalm 49. V 12-14)
3. Falstaff in King Henry IV of Part I jokingly tells
Prince Hal that an old Lord spoke wisely about Prince Hal and he took no notice
of it, and it was on the street too. Prince Hal tells him that he did well,
“for
wisdom cries out in the street
And no man regards it”
(Prince Hal in Act I, Sc. 2)
The vein of similarity and the very music in the following Biblical lines are
striking:
“Wisdom cries aloud in the
street,
In the open squares she
raises her voice;
Down the crowded ways she
calls out
At the city gates she
utters her words.
“How long you simple ones,
will you love inanity
How long will you turn
away at my report.?”
(Proverbs. Ch. IX. V. 20.23)
4. More resounding are the following lines of the psalm especially when it
is set in comparison with the lines from the soliloquy from Hamlet:
“Yet Thou has made him little less than a God,
And dost crown him with
glory and honour
Thou has
given him dominion over
The works of Thy hands
Thou has
put all things under his feet.”
(Psalm 8. V. 5, 6)
“What a piece of work is man!
How noble in reason! How
infinite in faculty!
In form and moving how
express and admirable
In action how like an
angel!
In apprehension how like a
Good!
The beauty of the world! The paragon of animals!”
(Hamlet Act II, Sc. 2)
The following lines contain human sentiments expressed in human language –
both in the Bible and in Shakespeare’s Macbeth:
“I am in this earthly
world; where to do harm
is
often laudable, to do good sometimes
accounted
dangerous folly.” (Lady Madcuff, Act IV. Sc. 3)
“O everyside
the wicked prowl, as vileness is
exalted
among the sons of men.”
(Psalm 12. V. 8.)
6. In the following lines there is a vivid representation and revelation of
human nature – gleaned from the scriptures and Henry VII!:
“O
Cromwell, Cromwell, had I but served my God
with
half the zeal I served my king, he would not in mine age
Have left
me naked to mine enemies.”
(Wolsey - Act III. Sc. 2.)
“It is better to take
refuge in the Lord
Than to
put confidence in man.
It is better to take
refuge in the Lord
Than to
put confidence in princes.” (Psalm 117. V. 8, 9)
7. The thread of reality, truth and love which is godliness runs through
these Biblical and literary passages:
“Sweet are the uses of
adversity
which
like the toad ugly and venomous
wears
yet a precious jewel in its head.”
(As You Like It, Act IT, Sc. I. Duke)
“Whom best I love, I
cross; to make my
gift
the more delay’d delighted.”
(Cymbeline. Act
V. Sc. 4. Jupiter)
“The Lord reproves him
whom he loves,
As a father the son in
whom he delights.”
(Proverbs. Ch. 3. V. 12)
8. The following is an allusion to the Biblical passage concerning the
axioms of life, which Shakespeare puts in the mouth of Lord Bardolph
in Henry IV, Part II (Act I. Sc. 3)
“When we mean to build we
first survey the plot then draw the model; And when we
see the figure of the house. Then must we rate the cost of the erection, which
if we find outweighs ability, what do we then, but draw a new model–in fewer
offices; or at least desist to build at all?
“For which of you desiring
to build a tower does not first, sit down and count the
cost, whether he has enough to complete it? Otherwise when he has laid a
foundation, and is not able to finish, all who see it begin ‘to mock him,
saying, “this man began to build and was not able to
finish.”
(Luke. Ch, 14. V. 28-30)
9. “Thou knowest in the state of innocency Adam fell and what should poor Jack Falstaff do
in the days of villainy – Thou seest I have more
flesh than another man and therefore more frailty.”
(Henry IV, Part I, Act II, Sc.3. Falstaff)
“The spirit indeed is
willing, but the flesh is weak.”
(Mathew, Ch. 26, V. 41)
10. Shakespeare in the following passage holds up a faithful mirror of
manners of men. The same idea is found in the Bible in Mathew, Ch. 5. V.
19
“Do not as some ungracious
pastors do
Show me the steep and
thorny way to heaven
Whilst like a puff’d and reckless iibertine
Himself
the primrose path of dalliance treads
And reeks
not his own reed.”
(Hamlet, Act I, Sc. 3
Ophelia to Laertus)
“Whoever then relaxes one
of the least of these commandments
and
teaches men so, shall be called least in the
Kingdom of heaven; but he
who does them and teaches
them
shall
be called great in the kingdom of heaven.”
(Mt. 5:19)
A few of the innumerable
examples are quoted above to show how Shakespeare so wisely made use of his
intellect to perceive the Biblical grandeur in its fulness
and also ingeniously had striking passages in a very appropriate manner
inserted in all his plays in order to bring inspiration to the coming
generations. Though much of his life is still shrouded in mystery, we know from
his writings that he had a versatility, a power over
words and a wide and deep understanding of human nature such as no other
English writer has equaled. He had tremendous range of experience. Hence immortality
has crowned the work of this remarkable man. “He was not of an age, but for an
age, but for all time.” (Culver)