REVIEWS
Mind-The Supreme Master: By Vidya Bhushan. Atmaram &
Sons, Delhi.6. Price: Rs. 25.
The
present book is said to be a study of
Mind covering all aspects from the very purely non-material grading, down to
the densest materialised existence. It purports to
explain all science, philosophy, religion, morality, feeling, etc., as
pertaining to each and every state of existence and from each and every angle thereof.
The
author compresses the whole ambit of his teachings into ten chapters like
“Involution and evolution of mind”, “The human being”, “Basic understanding”,
“The basic laws”, “The causal rationality,” etc. Each of these divisions is
again divided under several sub-topics, and the author purports to explain his
viewpoint, by extensive quotations from various seers like Abu Said, Gampopa, Gita, J. Krishnamurty, Ramanamaharshi, Sankaracharya, Lahiri Mahasaya, etc.
The
basic content of this book seems to be that one has to have a true
understanding of himself, that he has to arrive there by himself, and that
this cannot be given by anyone else. One has to awaken
one’s deeper perception, and when this happens, light will pour in the
understanding. One can never receive anything from anyone else as the other is
not “oneself.” Ultimately as the author says, in reality nobody exists, except
one’s own self, for oneself. The aim of life is to restore one’s link with it,
through one’s own knowledge and sensitivity.
At
the back of the book jacket, it is written ‘about the author’ that he is an
imposter and an exploiter and that he is absolutely shameless and incorrigible.
Apparently the author has written this about himself. This goes on to say that
the author exists as mentally and morally degraded in every conceivable
sense of the term, and the reader is requested to keep the above constantly in
mind, while reading this book, so that one does not get misled, deluded,
exploited or corrupted by the contents of the book.
Freed
from such sensational obiter dicta, the basic idea that seems to permeate the entire
book, is the well-known doctrine that every person has to perceive and realise the reality, within which the individual and the
entire universe is encompassed, and realising which,
nothing else remains to be done. This has been repeated and explained again and
again in countless philosophical teachings in our country. This has also been
lived as a practical way of life by various mystics, sages and saints. Sri Ramanamaharshi’s repeated Mantra “Just B. E.,” which
ultimately is the same as J. Krishnamurthy’s “Awareness” is the same which the
present author also is trying to explain.
On
a perusal of the book, one cannot help feeling, that a simple truth very well
said by ancient and holy sages and saints, is sought to be said here again, in
a language and manner of writing, which is bewildering in its involved thinking
and which seems to be unnecessary as it is confusing.
–Dr. N. RAMESAN
Saint Ekanatha’s ‘Light for Life
Divine’: By M. S. Deshpande.
Sri Eknath Sansodhan Mandir,
Khadkeshwar,
Saint
Ekanatha, who lived in the sixteenth century A. D.,
belonged to the chain of devotees of Maharashtra who were responsible for the Naamasamkirtana cult that spread fast among the people of
both the North and South of the sub-continent. His Abhangas (songs of devotion) were so much attractive owing to their simple
diction and rich poetry, that both the literate and the illiterate got them by
heart. In this volume, the author has essayed forth on an exposition of the
saint’s philosophy as contained in his valuable commentary of the eleventh Skanda of the Srimad Bhagavatam, as also his other works in reference. In
two parts with the title “End” and “Means” the treatise deals in first part
with the evolution of devotion, ideals of life, nature God and the relationship
of the Individual with the Supreme. The essentials of equipment for reaching
God and the discipline to undergo are sketched in the second part. With
adequate attention to the points of elaboration of the saint’s theories regarding
the Sadhana through recitation of
God’s name have been succinctly given which can easily prove of immense value
to the seeker for spiritual unction in a modern world wrecked by self-seeking
and violence everywhere.
–K.
CHANDRASEKHARAN
Modern Bengali Short Stories: By
Enakshi Chatterjee. Prayer
Books,
Ten of the short stories from the
pens of well-known writers of modern
–K.
CHANDRASEKHARAN
Nirvana: An occult experience.
Both by George S. Arundale. Arundale Centenary Editions. The Theosophical Publishing House, Adyar, Madras–20.
George
S. Arundale, whose birth centenary was celebrated in
1978, was International President of the Theosophical Society during 1934-’45.
His personal inspiration and dynamic leadership have earned for him just
recognition from all sections of the world community. He did typify
“brotherhood in action” in an exemplary style. The two publications here under
review may be described as representing the pick of his utterances, and in a
very special sense they contain the quintessence of the message of theosophy,
both as a record of authentic intuitions and as an illuminative guide to
spiritual discipline. Nirvana is a
testimony in terms of the deepest personal experience to the ineffable grandeur
of the occult realms, while
In Nivrana one sees and reads the landscape of Nirvanic
consciousness unfolding itself steadily and surely–from “the first glimpse” and
“the first readjustment”, through “meditations” and “reflections,” to a crucial
point in “The Awakening of Nirvana,” revealing Reality in lightning flashes and
in “the imprisoned lightnings” of all things and
pointing to a “beyond,” where all “prison fetters” are cast off. Finally comes
the declaration, when the author sees himself bathed in light, and announces:
“I have entered Eternity. The past is forever behind me. I am delightfully lost
in the rapture of Pure Being. I am.”
Would he stay in that state of absorption? No; there is a call from
without, the call of the comrades, whose fetters still remain. And he must pay
heed to it. “Back, back, I go.” He finds himself again “in the old routine of
prison-life.” But he has no reason to complain. “I am content, for I am needed
where I am”, he assures the reader. That is the “glorious task,” with which
note the book closes. The illumined must return to the task which awaits him.
Indeed, “There is no Nirvana from which to return,...it is everywhere and
always...Having entered into it yourself, inspire others to seek it by becoming
a living reflection of its splendid Peace.”
Having
attained the summit, “You enter into a new heritage,” which
gives you a fresh sense of your oneness with all life. You see that “You
are a myriad yours.” That is the turning point, which
makes you return to the world “with the spirit of your experience and your
realization upon you.” Again, that is a significant note for the Everest book
to close.
The
earlier sections, on “The psychology of yourself” leads the reader step by
step, from “the physical body” through “the emotions” and “the mind” to
intuition and “Higher Consciousness,” and prepares the ground for the peak
experience.
–PROF. K.
SESHADRI
Essays on Samkhya and Other
Systems of Indian Philosophy (Revised and enlarged
edition): By Professor Anima Sen Gupta,
Dr
Anima Sen Gupta, the author of this scholarly
treatise is a well-known writer in the field of Indian philosophy in general
and the Samkhya system in particular. Her wide
acquaintance with the various schools of Indian philosophy and their
presentation in easy English is impressive. She writes with sympathy and
understanding on Tantra and Advaita
and even on Buddhistic philosophy. None of them
is a mere recapitulation of what others have taught.
The
present book contains 46 essays on different aspects of Indian philosophy
underlying a certain unity of vision and catholicity of approach that are
unmistakable to a dispassionate eye in the development of this ancient
tradition. The study particularly gives an exhaustive and critical exposition
of the philosophical position of the Samkhya school. Perhaps for the first time some of the knotty and
baffling problems relating to Samkhya views on purusha, prakrti, bhaktribhava, creation, God, etc., have not only been
set forth in a penetrating way, but possible solutions to them have also been
indicated from a strictly Samkhya point of view.
Modern
advances in psychology prove that there are many psychological problems whose
solutions seem to lie in the propositions postulated by Samkhya.
We wish Dr Sen Gupta were to devote her great talents
to an exposition in modern scientific language of some of those terms which are
current coin in all systems of Indian philosophy–Panch
Mahabhutas, for example.
Dr
Anima Sen Gupta has done well to add in the book
under review a chapter on “Western and Eastern Spiritual Values of life” (Pp.
112-123) and what might be called its supplement “Spirituality–Indian and
American: A Reply” (Pp. 124-127). This is a cogent, if somewhat brief, reply to
the frequently repeated charge that Indian philosophy has no room in it for a
consideration of ethical problems.
Those
interested in Indian philosophy will find this book satisfying, The universities and degree colleges are expected to take
advantage of this publication which is sure to prove helpful to the students
studying Indian philosophy.
–R. A. GUPTA
Perspectives on Indian Drama in English: Edited
by M. K. Naik and S. Mokashi-Punekar,
Surely
it was a bold step on the part of the editors to think in terms of a book on
Indo-Anglian drama. The first bouquet goes to S.
Krishna Bhatta for patiently compiling a bibliography
of Indian dramas in English. Sri Aurobindo, Rabindranath Tagore, T. P. Kailasam, Harindranath Chattopadhyaya, Bharati Sarabhai
and Gurucharan Das are the six dramatists who have
been studied in detail. S. K. Desai’s essay “The Post Office” deserves special
mention. He has tried to keep away from the “Critical Mumbo-jumbo of the Tagorites” and the “disarming simplifications of the writer
and the preface-writer.” Desai himself takes the view that the play is not mere
symbolism but is actually conceived at a “naturalistic level, simplified and
rarefied to some extent.” Tagore, according to Desai, has desentimentalised
an essentially sentimental situation.
To
Tagore, as passages from the Gitanjali show,
death is a journey to the other shore; it is giving oneself up at last into
God’s hands: it is a love-tryst in the darkness of night; it is seeing God’s
face and offering him one’s silent salutation. Hence, his main problem was to
take the sting out of Amal’s death and show that
death, after all, is not such an awful thing, that it is not a matter, of loss,
but a matter of joy, triumph and peace. The last scene, therefore, could be
taken as an objective correlative of the mystery, naturalness, peace and joy
that Tagore wants death to be associated with.”
Kailasam’s “The Curse”
has been masterfully analysed by R. A. Malagi. The play had been originally conceived in the Sophoclean tradition. The hero is
“Some
recent Indian plays in English” by Eunice de Souza and “The Achievement of
Indian Drama in English” by M. K. Naik fill up many
gaps in our knowledge of the Indo-Anglian dramatic
scene. Despite the present indifference, the Indo-Anglian
dramatist can achieve a good deal if he boldly taps our ancient heritage,
adopts folk rhythms and idiom and avoids “the temptation to play to a foreign
gallery by concocting fake orientalism.” Prof. Naik’s optimism, let us hope, will be rewarded in the next
future.
–DR. PREMA
NANDAKUMAR
The Real World of Fairies: By
Dora Van Gelder. The Theosophical
Publishing House,
The
book needs no apologies for we have generally accepted the existence of occult
planes of consciousness which are not immediately cognisable
to us due to the gross matter with which we are fashioned. Dora Van Gelder, a Theosophist, has full conviction in the existence
of fairies all around us. Even the most sceptical can
suspend one’s disbelief for the nonce and plunge into the world of gnomes and
spirits, earth and garden fairies, and fairies that live on trees near
mountains, in water and around fire. In the course of this fascinating
introduction we glide through the rich nature around us, the ferns, the foliage
and flowers which truly give us mental peace and lead us to a divine
consciousness.
What
with the shimmering world of sylphs and water babies, the rainbow hued
brilliance of earth’s flora and fauna, and the author’s obvious sincerity, the
book makes delightful reading for children and elders.
–DR. PREMA
NANDAKUMAR
Tantras (A general study): By Manoranjan Basu. 50/B,
The
learned author in this valuable work presents the philosophy of the Tantras in their true perspective. According to the author Tantras are a metascience (Surya-vijnan) dealing with consciousness verifiable at
every stage in spiritual experience. Tantra is a
Sadhana sastra according to which Tattvajnaana
is a means of liberation. In the first chapter after giving a historical
account of Tantras, he shows that some charges levelled against Tantras are
baseless. A brilliant exposition of ‘Tattva”,
“Mantra”, “Kala” and “Shadadhawa”
in addition a definition of the term Tantra is given
in the second chapter. A comparative critical and analytical study of
experiences according to Shaaktas, Shaivas,
–B. KUTUMBA RAO
Dwija–A Prophet unheard: By
T. K. Mahadevan. Affiliated East West Press Pvt., Ltd., 7, East Spur Tank Road,
Madras-31. Price: Rs. 30.
“Gandhi
died not in 1948 in
Gandhiji’s
views on issues like Hindu-Muslim unity, on Satyagraha, Indian culture, Western
civilization and Russian type of government add spice and flavour
to the dish. All the above salient features and many others recommended
themselves to all good readers and students of Gandhian philosophy who can read
it with an unflagging interest to the end, and who can ill-afford to miss a
reading of this.
–B.
KUTUMBA RAO
Silhouettes of Russian Literature: By
Achala Moulik, Wesley
Press,
A
sharp and vivid outline of Russian literature is neatly drawn in this book and
its scope ranges from pre-to post-Revolution decades. An understanding of it is
to follow a sympathetic study of the physical features of Russian territory,
its extremes of climate and uneven history. Because these, by
and large, constitute the co-efficients to
psychological make-up of the people. The versatile and inconstant
seasons too exert their impact and condition their varied moods and
temperaments in consonance with their behaviour and
turn them in a way as incurable hedonists and at the same time un-enlivening
pessimists engulfed in a gloomy melancholia.
Naturally
these cyclical psychic changes got echoed in literature and art. The earliest
literature, as shown by Moulik, comprises chronicles,
hagiographies, religious dramas and lays of the sort that extol deeds of valour and celebrate the military victories of their rulers
and mostly the accent was on ethica1 norms like piety, duty and responsibility.
But in Petrine era
From Pushkin to Chekhov, Russian literature was a fine blend of
both the elements which found mute and muffled expression in symbolism and
covert allegory and in the futuristic post-1917 period writers from Gorky to Yevtushenko broke with the old tradition, drove their
quills in defence of Revolution and the literature of
that day descended to the level of documentation and reportage with a few
exceptions. Finally Slavo-philism and Westernism were, surprisingly replaced by Marxism and
literature goes Marxist with of course an undercurrent of love of motherland
running through. But the anticipated
–K. SUBBA RAO
Culture, Education and Society. Javere
Gowda.
The
book consists of inaugural and valedictory speeches in addition to general
lectures delivered by Prof. Javere Gowda,
Vice-Chancellor, Mysore University, and the subjects dealt with range from
religion, history, land reforms to Centre-State relations, higher education and
contemporary literature, and are topical.
Of
all the operations compiled the first and the last take excursions into
folk-lore and fundamental values of life by which a view of unsophisticated
As
an outstanding moralist and justiciary, a harrowing
concern for the backward and the oppressed turns the author into an advocate of
socialization of land and talent as sort of Public Trusts and upholder of
Gandhian doctrine that possession is a crime and non-possession a desirable
virtue. It may be said in sum that almost all the lectures whether they pivot
on problems political, educational, social or economic are informative and
provocative and they advance something new and original that smacks of a change
for the better, and a concept that any reform or a turn contemplated should
correspond to the genius and personality of India runs through the addresses
and brings about a meaningful unity notwithstanding their thematic variety.
–K. S. RAO
Pratyabhijnahrdaya: By Kshemaraja.
Sanskrit text with Translation, Explanatory Notes and
Critical Introduction in Tamil by Prof. P. Thirugnanasambandan.
Published by Dr S. Radhakrishnan Institute for Advanced Studies in Philosophy,
Prof.
Thirugnanasambandan is a well-known scholar in
Sanskrit, Tamil and English and he has translated into Tamil this Sanskrit book
which is a handbook as it were for the introduction to Kashmiri Saivism containing twenty Sutras by an unknown author and
the commentary of Rajanaka Kshemaraja
(a student of Abhinava Gupta) belonging to the first
half of the 11th century Kshemaraja has written
several works but in this he has performed the same service to the Advaita Saiva System of Kashmir as Sadananda
has done to the Vedanta by his Vedantasara.
Pratyabhijna
(i. e., recollection) is the doctrine which leads one
to become aware again of the fact that the Individual Soul (Pasu
or Jiva) is identical with the Universal Soul (Pati, Siva, Isvara, etc.) The
word is used to designate the Kashmiri form of Saivism,
particularly the religious philosophical system for which it is noted. It is
also known as Trika, Spanda,
etc.
The
present book gives the Sanskrit text, an excellent Tamil translation,
explanatory notes, glossary of difficult words, list of works referred to, etc.
In his fine and critical introduction Prof. Thirugnanasambandan
analyses the subject matter of the text comparing it with the Saiva-siddhanta and other similar systems with which those
in the South are more familiar. A welcome addition.
–T. V.
VISWANATHA AIYAR
Asana Pranayama Mudra Bandha: By
Swami Satyananda Saraswati,
An authentic guide by an experienced Yogi to the
inter-related science of Asana, Mudra, Bandha and Pranayama.
Fully illustrated and amply instructive, the treatment covers both the
philosophy and practice of this part of Yoga, from the standpoint of health of
body and mind, purification of Nadis and spiritual
preparation. The Asanas have been conveniently
grouped under three categories: Beginners, Middle and Advanced.
In his introduction, Swamiji
points out how many of the Asanas were shaped by the Rishis of old observing the movements of certain animals
who corrected their own imbalances through these postures.
That is why some are named after the animals concerned.
The
appendices on the system of Chakras in the subtle body of man and their areas
of operation in the physical body, on Man’s Internal Environment, e.g.,
endocrinal gland system, digestive system, respiratory system, circulation
system and the brain and nervous system, are highly enlightening.
Unlike
most other books on the subject in the market today, here there is no attempt
to sell. There is a certain austerity of spirit and economy of speech.
– M. P. PANDIT
Snake-skin and Other Poems of Indira
Sant: Translated from the
Marathi by Vrinda Nabar and
Nissim Ezekiel. Nirmala Standard Publishers,
The
English translation of Indira Sant’s
Marathi poems by Nissim Ezekiel and Vrinda Nabar is indeed an
exquisite exercise in the art of translation. The translators tell us that they
have taken up the project as a discipline. This anthology of Indira Sant’s poems is the result
of a constructive effort on the part of Ezekiel and Vrinda.
It impresses the reader with delicate beauty and pathos,
suggestiveness and clarity.
Indira Sant’s
poetry is the poetry of dreams and memories. The poet’s quest for her own true
self amidst the ruins of dreams makes her poetry romantic and philosophical at
the same time. Here is meekness but not weakness. Here is sorrow but not
maudlin self-pity. Indira Sant
vows to “support the washing heavens on my shoulders” and asserts that “the
fighting courage is the stuff of life.” Now that her reflection in the mirror
(her dream of what she wants herself to be) is gone, she remains “a cast-off
skin, the snake out of sight.” She recollects the proud moments of her early
marital life and call, them “a blossoming garland of arrogant moments.” She
accepts suffering as a means of salvation and desires the ever-bleeding wound
in the heart. There is an under-current of the still sad music of Womanhood ill
Indira Sant’s poetry.
Though predominantly lyrical her poetry is not without a metaphysical slant.
“Neither
the earth nor the mist
nor the sky is mine
but truly I am their victim.”
Her sorrow is
elemental and
“Her
dreams were like those of any woman
She
awoke before the dreams began
And
never slept soundly again.”
–DR
C. N. SASTRY
Silent Secret: By
V. Mohan Prasad Desi Book House, Vijayawada-2. Price:
Rs. 25 ($3 or £1-50).
Mohan Prasad is well-known, as the one prose-lyricist writing in a new way, in the field of modern Telugu poetry. As student and teacher of English language and literature, Prasad seems to have assimilated most of the ultra-modern English poetic trends and techniques which he tries to adopt in his Telugu free verse freely.
The
tiny book under review comprises a few translations from Prasad’s Telugu poems
rendered by his friend late P. Rama Rao. And the book closes with a couple of
translations by Viswam. His study of English literature,
experience of life in Andhra, and knowledge of Indian philosophy tend to render
his imagery peculiarly original and new.
The
translations present a cross-section of the various existential aspects from ‘A
forgetful umbrella / A misspelt
pair of chappals / Cake boxes minus cakes’ (P. 15) of
“Emptiness” to “String Mysterious.”
Prasad’s
poetry in English in the tiny book is not all easy to understand and it compels
frequent thinking which is one of the chief characteristics of modern poetry. Yet the
book affords a rewarding reading.
–DR K. V. S.
MURTHY
Love: Compiled and edited by Marjorie Saunders.
Sterling Publishers,
The
book Love is a paper-back edition
comprising excerpts collected from a variety of writers in English belonging to
various ages almost from the dawn of English writing; and the passages are
edited by Saunders in a sequence so that the book appears as “the most
brilliant love story ever written through quotable quotes.”
The
quotations are arranged in six neatly punctuated sections–‘Affection’ and
‘Courtship’, ‘Romance’ and ‘Love’, ‘Love’s Folly’ and ‘Marriage’. The sections
indicate and trace the progress and pilgrimage of love from attraction (desire)
to union (fulfilment).
As
Saunders says in his Preface, it is a “treasure-house of wit, learning and
knowledge”, a collection dealing with the inexhaustible “eternal theme” of Love
and its spans “centuries and continents” of wisdom. Surely the book affords a
pleasant reading.”
–DR K. V. S.
MURTI
Voice of Samanvaya: Vol.
I, No. I. A half-yearly in English. Edited
by K. Seshadri. The C.P. Ramaswamy Aiyar Foundation,
This
journal intends “to present the deeper harmonies of the tradition, Thought and
Culture of India and to offer blended melodies in about 150 pages of
substantial reading matter in each issue.” The very first article entitled “One
Thread of Unity” an extract from the speeches and writings of that intellectual
giant late Dr C. P. Ramaswamy Aiyar is the beacon,
guiding spirit and soul of this journal. Four other articles from the same pen
are also scholarly. “The Heritage of Hinduism” the second article by the editor
was already published in book-form and was reviewed in this journal. “The
Spiritual Significance of Art,” “Rationale of Temple Worship” and
“Interpretation of Iconography” are the other subjects dealt with in this issue
by eminent personalities and they throw a flood of light. We commend this
valuable journal to all lovers and students of Indian culture.
–B. K. SASTRY
Divinity
of Man: By K. S. Mani.
Ganesh
& Co., Pondy Bazar,
Madras-17. Price: Rs. 5.
The
author of this booklet sincerely feels that harking back to the original Vedic
ideal of Divinity of Man, his identification with God through true Tantric Sadhana and a study of our classics like Bhagavadgeeta and Ramayana alone can build up a democratic
socialistic society on an ethical basis which is the need of the day, and
desires that the youth of our country should take up this challenge. In 15
chapters he succinctly explains the philosophies of Saktadvaita
and Sankaradvaita, their scientific basis and the
nature of Matter, Mind and Life according to those philosophies. An article written by late Swami Pratyagananda
Saraswati entitled “Matter, Life and Mind deserves special mention. An inspiring book written in a vigorous style.
–B. K. RAO
Why Meditation: By Vimala
Thakar. Motilal Banarsidass,
Nature
and practice of meditation without symbols and images is worthy of practice by
seekers of all faiths. Meditation which is ignored by the modern man empowers
him to lead a complete life is the subject matter of the five talks delivered
at the Claremont University, California, by the author, and reproduced in
book-form. The essence of Vedantic precepts is
presented in a manner that is appealing, convincing and practicable also to the
modern man.
Our
physical movements which are repetitive and mechanical, our inability to
observe facts of life as they are, to sustain that factual perception and to
verbalize the facts as they are without any twist, our cerebral movements
tethered to the past, our feelings full of attachments, and our observations
full of reactions–all these contribute to the chaos and restlessness that the
modern man has become a prey. A sincere seeker is invited to take up to the
practice of this meditation and be benefited by it. A
valuable guide to seekers of Peace.
–“SANDILYA”
Contemporary Indian Short Stories: Edited
by KaNaa Subramanyam.
There
are here sixteen short stories representing some of our major languages. Except
Hindi which is represented by two stories, the rest have each a
single one in translation from the original. Whatever may be the criterion of
the compiler in his selection, the reader may be somewhat slow to finish the
volume for the simple reason that most of the stories hardly sustain the
interest a story should possess, leaving alone the high demands of a short
story technique. The introduction gives us a feeling that personal element
entering into the selection alone can bring about the result of satisfaction in
an anthology. We have not been at all made wiser for such a dictum, as many of
the stories collected here seem to suffer from a too deliberate choice for
their unusualness. Perhaps a normal literary student would consider half a
dozen or less here such as The Burden of
Ash, Stench of Kerosine, Gherao,
Lajwanti and Jahanavi and providing material for sustaining the need of a reader’s grip
over thought. ‘The Bear,’ appearing
as the first story makes it hard to understand anything in it of either a
sequence or a narration. Contemporary literary efforts could be better chosen, if
the purpose of bringing out a volume like this is to make readers in other
languages alive to the creativeness in short stories in all
the sister languages of
–“SAHRIDAYA”
Laghu Vasudeva Mananam: Translated by K. V. Subbaratnam. Published by Sringeri Jagadguru Sanatana Vidya Samiti, Madras-28. Price: Rs.
3.
In
the post-Sankara period of Advaitic
thought many valuable works have been written such as of Vachaspati
Misra, Madhusudana
Saraswati, Amalananda, Appayya
Dikshita and others, which have elaborated with
sometimes greater minutiae the reasoning and the experiences required for Atmanubhava which is the sole objective of the Vichara climaxing in Atmananda. Vasudeva Muni, the author of this
short treatise, has ably dealt with the main doctrines of Advaitic
persuasion in the form of questions and answers. In a way the method has to be
welcomed, as questions always try to make the answers take the pains to clarify
an issue which otherwise may remain shrouded in vagueness. The basic features
of the system of Advaita such as the nature of Atman, the characteristics of Vasanas and the existence of Kosas
which have to be distinguished from the Atman, are very lucidly explained in
this concise Sanskrit work.
The
present attempt is to provide an easy translation in Tamil in order to enable
students of philosophy who find difficulty in making out the deeper points to
grasp them in Tamil version. The simplicity of the original is not spoilt by
the translation and it must be this book’s particular achievement.
Sponsored by no less a scholar than H. H.
The Jagadguru of Sringeri,
its claim to the attention of rest of the students of Advaita philosophy must
be assured. –“SAHRIDAYA”
The Broken Bridge: By Jagadish
Chandra. Vikas Publishing House Pvt. Ltd., 5,
From
Hindi this novel has been translated well into English. It is not the usual
theme for novels of social life in cities but of the happenings in the field of
war. With sufficient capacity for details the army life and the background of
mountainous campaigns are portrayed here, and hardly any but the atmosphere of
the advance movements of men in action is pervading the entire narration. The
estimable characterisation of Ilawat,
an army captain with legitimate ambitions to become a Major General, finds
expression in the way he adheres to principles of a very appreciable kind. Also a love episode, which only adds poignancy to the whole, when Ilawat, dreaming of the fulfilment
of his ambitions and of his wedding with his chosen girl meets with death under
tragic circumstances. It is a novel which sustains to the last the
interest of the reader.
–“SAHRIDAYA”
Samskara: By U. R. Anantha Murthy. Translated by A. K. Ramanujam.
This
Kannada novel in English translation has as its main purpose, the exposure of
the lack of Samskara or refinement in all its phases
of the Brahmin community which has been considered highly civilized. The story
gives a vivid illustration of the decadence of the community and obviously
stresses the need for its recovery from the sad condition. No doubt the
narrative goes with a smoothness in the translation and places little
impediment in the way of understanding the implications underlying the
incidents designed to bring to the fore the aim of the writer. As a film, it
won an award and perhaps rightly too for its exaggerated oddities of the social
malady. Still as a literary piece it suffers from its too apparent motive of
calculated admonition and reform.
–K.
CHANDRASBKHARAN
Dravidian Theories: By R. Swaminatha Aiyar. Published by the
Sri
R. Swaminatha Iyer has all
the requisite qualifications for research. A multi-linguist, well acquainted
with Vedic and Classical Sanskrit, and North and South Indian languages, and
endowed with deep and critical penetration into the subject of study, his
findings are found to be of immense value for the present researchers and a
guide and stepping-stone for the future scholars in this field.
In this work he mainly
dealt with the conjugation of verbs and his study had lead him to the
conclusion that a very considerable majority, if not all, of the Dravidian
grammatical have arisen from suffixed elements borrowed from Sanskrit and the Prakrits during the last twenty or twenty-five centuries.
Many old and current Dravidian theories were discussed and thrown off their
feet. Some of his other conclusions are noteworthy.
“What
is known as Dravidian civilization is really the civilization of Aryan and Aryanised immigrants from the north.” (P.126)
The
grammatical forms which Sanskrit is supposed to have derived from the Dravidian
languages were not evolved by it on Indian soil but were inherited by it from
the parent Aryan tongue.
The
other changes which Sanskrit has undergone on Indian soil are changes
incidental to transition from a synthetic stage to analytic stage as in the
parallel cases of English and Modern Persian.
The
summary and conclusions given in Section 75 also deserves our attention. Though the author deals mainly with verbal conjugation, other
topics like the sounds and scripts in Dravidian languages, changes in Sanskrit
inflexions, changes of P sound in Tamil, age of the Vedas and Secondary Prakrits. The work bears ample testimony not only to
the author’s wide learning familiarity with many grammars and history, but also
for his fervent zeal and unbiased passion for finding out the facts and truth
regarding the subject on hand. A study of this work is a must for students of
Dravidian philology in particular either for rejecting the views of the author
or for revising the current theories and for taking stock of the present
position.
–B. KUTUMBA RAO
The Philosophy of Sri Ramanuja (Visishtadvaita):
By Srisaila Chakravarti.
Published by V. S. R. Chakravarti.
24,
This book divided into four chapters deals in detail with the Cit, Acit and Iswara known as Tattvatraya in the Visishtadvaita philosophy. The first chapter is devoted to
the study of the nature of the Cit or individual soul. It is concluded that it
is different from the body and sense organs, etc., self-luminous blissful,
eternal, atomic in size, imperceptible, inconceivable partless, changeless abode of consciousness and is in the
relation of body to God who is his soul and controller. Free will is given its
due place. Untenability of the views of Christians
who do not accept transmigration of souls is shown. Theories about the soul are
discussed in the second chapter, wherein the Single Soul Theory and the Jiva-Brahma Identity Theory are refuted. The nature of the
three kinds of Jivas-Buddha, Mukta
and Nitya –is described. In the third chapter dealing
with Acit or Matter, the theories of Avidya and Maya are rebutted. Panchikarana, the five Khyatis and the concepts of Time and Space are
explained. The last and the most important chapter treats
of the nature of Isvara. The Siddhanta
view of Ubhayalingatma, import and scope of Saguna Nirguna Srutis and God’s qualities are reviewed here and objections
set at nought.
The
presentation of subject matter is as lucid as lucidity can be. All statements
are authenticated by quoting in extenso the relevant
texts not only of Sri Ramanuja but of other Visishtadvaita
preceptors also including Nammalvar the famous saint-devotee. Views of other
schools of thought, especially of Sri Sankara, are
also presented and countered. For an easy understanding of the philosophy of
Sri Ramanuja one cannot get a text-book better than this in English as far as
it goes, and we whole-heartedly commend it to all students of philosophy.
–BHAGAVATULA
Ananda Coomaraswamy (Wise Man from
the East). By K. C.
Kamaliah. Copies can be had from the author,
B-194,
K.
C. Kamaliah is an ardent worshipper at the shrine of Ananda Coomaraswamy. Himself
possessing research instincts, his exploration of the wide literature produced by Ananda
Coomaraswamy cannot but prove of value to students of art and Indian culture.
This volume had its birth during the birth
centenary of the savant, and bears sufficient information to awaken readers,
not already familiar with the works of A. K. C., to a realisation of the worth
of a study of him. Five essays are collected here which had already appeared in
some of the important journals. In the first one some of the details of his
early life as well as his rich parentage are traced along with a fruitful
survey of the all-round scholarship of Coomaraswamy. The second essay takes us
to the origin of Indian culture with its mixture of Dravidian and Aryan
features scrutinisable to real workers in the field
of archaeology and history. The author evidently follows the trends of later
researchers who have assessed the
The Nataraja theme fills
the third one occupying more pages, the author has
deeply delved into the subject near his heart with equipment of Tamil
scriptures which provide the philosophical basis for the Dance of Siva.
In the next two essays some of the aspects of A. K.
C’s incomparable understanding of Indian art in all its phases through the
centuries, their varied presentations forming distinct styles such as Rajput, Mughal, etc., have been
succinctly noticed.
The bibliography of book-reference in the Appendix
with the Index contained in this tiny volume would induce any serious student
of our art and philosophy to further pursue his studies in the originals
themselves.
–K.
CHANDRASEKHARAN
Marriage of Hindu Widows: By Iswara
Chandra Vidyasagara. Published by Kanak Kumar Bagchi,
It
is the lunatic fringe of society that creates ideas and ushers in a new
renaissance, demolishing worn-out social institutions, found to be anachronisms
in a particular age. The status of widows in this Kaliyuga
was regarded as woeful and considered to be in need of a thorough reformation.
Iswara
Chandra Vidyasagara, an eminent advocate of a change
in the social milieu with the blessings of his parents, entered the lists to
break a lance for the cause of widow-remarriage and against the evils of
enforced celibacy.
No
doubt, he had to face fierce opposition from orthodox segments and had to
engage the services of an expert ‘Lathiel’ as a
bodyguard, wherever he went to propagate his enlivening message, to a sick and
decadent humanity, and instil a ray of hope into the
impoverished lives of widows, who were interdicted to remarry and lead normal
lives in consonance with their inclinations and natural urges.
The
shastraic injunctions touching widow-remarriage,
extensively quoted in the book from Samhitas, Smritis and Puranas are pro and
anti. But Parasara Samhita
which was adjudged as the best authority enjoins bereaved women to take a second
husband specially in Kaliyuga, in case of (1) Demise
of her first husband (2) Long-absence (3) Impotence (4) Renunciation and (5)
Degradation.
Prohibition
of remarriage entails prostitution, elopements and foeticides
and commonsense dictates–shastraic institutes apart –
to concede the propriety of remarriage for widows, though Brahmacharya
is acclaimed as the height of virtue and promises heavenly abodes.
Concremation
too is inhuman when forced but not when deathless loyalty and affection for her
departed lord constiute the motivations for her
self-immolation on the blazing funeral pyre.
This
‘Hard-back’ is a mine of scholarship and a cogently reasoned tract of the time
and can be deemed to provide a fillip to social reformers of Sagar’s type in future. –K. S. R.
The Pilgrim and the Guide: By
R. N. Bose. Publishers: Maitreyee P. 12,
This is a valuable addition to Gandhiana. It contains a perceptive study of the
steadfast principles of Mahatma Gandhi. There is an
universal consensus of opinion affirming the fundamental quality of many of the
Mahatma’s findings in his search of Truth. From time to time by his unflagging
experiments, the Mahatma regained assurances for his methods in the ardous pilgrimage towards Truth. No doubt, some of his
steps in his approach to arrive at conclusions regarding Truth, combining in
itself both Ahimsa and Brahmacharya, appear daring
and unapproachable to ordinary men and women. Still in so far as he had scaled
the risky path in his climb without any apparent sliding down, discloses of
what strength of Will he had been endowed with in the perilous journey.
Under
five headings in the present volume, the author has chosen to give the reader a
close view of the Mahatma’s unmitigating Tapasya leading to the set goal. In a short
review here, it is not possible to mention all the guiding principles that
lifted the Mahatma above many of the human race. Suffice it if we make a
selection from the author’s own selection of the numerous utterances of
Gandhiji in explanation of his thoroughly examined researches in Truth, Ahimsa
and Brahmacharya. A few of them given below may
interest any reader to wish for more of such:
“As
I proceed in my search for Truth, it grows on me that truth comprehends
everything. It is not Ahimsa but Ahimsa in it. So also Brahmacharya. The wonderful implication of Brahma satya jagat mithya grows on me from
day to day.” (16)
“The
whole world may forsake me but I dare not leave what I hold is truth to me.”
(25)
“First
I would say with those who say God is Love. God is Love. But deep down in me I
used to say that though God may be Love, God is Truth above all. But two years
ago I went a step further and said Truth is God.” (42)
This
is a book to possess.
–“RASAJNA”
Jindagi Tum
Kahan Ho? (Where you are. O
Life?): By Dr Siddhanath
Kumar. Alok Prakashan, Devi Mandap Marg.
Ranchi. Price: Rs. 10.
The
book under review which is Dr Kumar’s second volume of poems has appeared
nearly twenty years after the publication of the first–“Toota
Hua Admi” (The Broken Man).
He was one of the pioneers of the latter genre and wrote a critical book on the
technique of radio-plays.
This
book contains 39 poems. All of them are lyrics but none of them contains
jelly-like emotions. Everyone is a tiny complex of emotion and reason. Most of
the poems are controlled by an ironical tone which is not savage and impatient.
The language is neither ornamental nor rhetorical. It has a quiet but
communicative strength. Sometimes the language appears banal but a phrase which
occurs four or five lines later alters the character
of the entire poem and gives it a unique elan. What impressed the present reviewer most is the overall pattern
of the book. The individual poems communicate a particular facet of experience
but together they explore what is communicated by the title of the book–life
and existence.
The
poems are about eternal themes but they are also aware of contemporary
situation. Some poems are about the wide gulf between precept and practice
which has crept into our national life. There is a poem on Gandhi but it tells
more of our reactions to that great man and less about the man himself. There
are some poems which tell about the political situation of our country. The
poems, however, stress a realization that there is a vital centre of faith
somewhere in the complex web of emotion and existence.
Dr
Kumar has taken twenty years to publish his second collection of verse. It is
my fervent belief that he takes fewer years to publish his third.
–DR
B. N. PRASAD
Hindustani Sangeeta:
By Mrityunjayswami Puranikmath.
Price: Rs. 14.
Karnataka Sangeeta Vaibhava: By C. N. Sastri.
Price: Rs. 9-00. Both published by the Text-book
Directorate,
These two books, written by scholars in the field of music
deal with Indian music in general and the two movements of that stream, i. e., Hindustani and Karnataka.
After tracing the science of music in
Sri
Sastri covers the birth and development of Karnataka music with its own
standards. He assesses the contribution of the three notable architects of this
tradition, e.g., Shyama Sastri, Tyagaraja
and Muthuswami Dikshitar.
The author lists as many as 58 exponents of this line of music beginning with Bharathamuni and notes their special services in the field.
The treatment is technical in some chapters, especially on the differentiation
between the Ragas, the components of certain difficult exercises, etc. There is
a rewarding discussion on the part played by devotional religion in the
efflorescence of Karnataka music.
Both
the books are products of scholarship and experience.
–M. P. PANDIT
Mandalika Vritti
Pada Kosamu: Vol. V –
Pottery: Editor and Compiler, G. N. Reddy. Andhra Pradesh
Sahitya Akademi, Saifabad,
Hyderabad-4. Price: Rs. 25.
This
is the fifth volume in the series of dictionaries of occupational vocabularies
that are being published by the Akademi. This volume
covers the Vocabulary in pottery, with 4,939 entries drawn from the vocabulary
collected by seven field-workers in 119 villages throughout the State of
–B.
K. SASTRY
Sreerama Charita Manasamu: By Gudlavalleti
Venkata Chalapati Rao, 23/324, Batchupet,
Machilipatnam-1. Price: Rs. 20.
Among
the Hindu epics the Ramayana of
Valmiki occupies a unique place. Sreerama who is an
embodiment of an ideal son, an ideal brother and an ideal husband has inspired
generations of men over thousands of years.
The
book under review is a faithful rendering of the original by the celebrated
Hindi poet Tulsidas into Telugu prose. The author has
already established himself as a writer of books on temple lore.
About
thirty writers have so far translated Tulsidas into
Telugu. The present writer has adapted a highly readable language and therefore
could easily be given the place of honour. We commend
the book to all lovers of Ramayana and we earnestly hope that the author would
continue his literary pursuit and bring out more books to enrich the Telugu
literary field.
–BHAVARAJU
Samskritandhra Padarnavamu: By
Vikrala Seshacharya. Andhra Pradesh Sahitya Akademi,
Hyderabad-4. Price: Rs. 8.
A
precious fruit of years of labour and consultation of
several lexicons and grammatical works in Telugu and Sanskrit, this work is a
treasury of synonyms in Telugu and Sanskrit in a single volume, arranged
subject-wise, and broadly divided now into two groups–Svargavarga
and Manushyavarga. In this volume synonyms for 1799
names are given. This ends the world of troubles that amateur writers and
budding poets are often beset with and enables them to choose and use the right
word to express an intended sense. To acquire a command over Sanskrit and
Telugu languages this book should be owned by every student of Telugu language
and literature.
–B.
K. SASTRY
Sukavi Manoranjanamu:
By Kuchimanchi Venkataraya.
Edited by Kovela Sampatkumaracharya. Andhra Pradesh
Sahitya Akademi, Hyderabad-4. Price: Rs. 15.
This
book now published for the first time mainly deals with Yatis
and Praasas in Telugu and subsidiarily
with grammar. Letters in Sanskrit and Telugu alphabets and Praasas
form the subject matter of the first Asvaasa. He
classifies all Praasas into six varieties only as
against seventeen of Appakavi. Second and third Asvaasas deal with definitions and illustrations of Yatis. While some Yatis of Appakaviyam are rejected some new ones comes in,
thus making the total number of Yatis 74. His
shrewdness is reflected here.
Venkatarayadu’s
language throughout is almost “Sishtavyavaharika.” Appakavi is the main target and he differs from him on
several points. Yet some of Appakavi’s definitions
are accepted and adapted in toto by him. In many
matters he has something to say afresh, whether acceptable or not to us. Au
introduction of 50 pages written by the renowned research scholar, the editor,
is exhaustive. A short life sketch of Venkatarayadu,
his pedigree and scholarship are described. A very useful
publication.
–B.
K. SASTRY
Vikramarkadeva Charitam: By
Bilhana, Telugu translation By Kappagantula
Laxmana Sastry and Madiraju Viswanatha Rao. Published by Kappagantula
Laxmana Sastry, 5-9-22/97 Adarsa Nagar, Hyderabad-4. Price: Rs. 13.
A
historical kavya written in Sanskrit by Bilhana a famous poet is now translated into Telugu by two
equally competent scholar-poets. The translation which easily ranks on a par
with first grade Prabandhas in Telugu in all
respects, won laurels from more than forty Telugu poets, scholars and critics
of established reputation, who showered unstinted meed
of praise on the translators.
In
his very valuable and exhaustive introduction of 46 pages the eminent historian
Sri Vedam Venkataraya Sastry, deals with the veracity of the facts mentioned in
the poem, and concludes that many of them are not correct. Meanings of
difficult words are given on every page. The translators have carved out a
niche for themselves in the temple of poetic fame, and we heartily hail them.
–BHAGAVATULA